SPHERES
Moments of other-worldly beings with events highlighted by spheres
The sphere is the most simple and ubiquitous form in our universe yet it has complex, spiritual and even personal meanings to each of us.
In this series I wanted to explore unseen and unimagined sights where a large sphere has unique meaning to beings from other worlds.
I already have dozens of sketches and works yet to finish on this subject, so I think this subject matter could be a long-term inspiration for me to express.
Moments of other-worldly beings with events highlighted by spheres
The sphere is the most simple and ubiquitous form in our universe yet it has complex, spiritual and even personal meanings to each of us.
In this series I wanted to explore unseen and unimagined sights where a large sphere has unique meaning to beings from other worlds.
I already have dozens of sketches and works yet to finish on this subject, so I think this subject matter could be a long-term inspiration for me to express.
Exoshaolin Sphere
(mixed media of free hand sketching, CAD and neural network - 2022)
resolution - 11,520 wide x 4,608 high
(mixed media of free hand sketching, CAD and neural network - 2022)
resolution - 11,520 wide x 4,608 high
personal notes from Arvus Attamessa
Though I was raised a Catholic I have never felt the need to attach myself to any religion, sect or belief title. However there is much in the universal truths of Buddhism that resonates deeply with me.
In this piece I have tried to portray the moment when a monk who belongs to religious sect is performing its rite of passage.
I imagined a ceremony, where at the top of a mountain above the clouds, the monk is somehow manifesting its
transcendent-self from within a 'sphere of oneness'. This ceremony is performed over many solar rotations, the being abstains from nutrients and must remain so still it almost starts to morph into the mountain rock over time.
This stoic journey is lonely, unguided and is only complete when the being finally merges with its own spiritual manifestation by entering the sphere.
I wanted to convey the 'patience and perseverance' required for this being to finally transcend beyond it's original form to a heightened spiritual state..
Though I was raised a Catholic I have never felt the need to attach myself to any religion, sect or belief title. However there is much in the universal truths of Buddhism that resonates deeply with me.
In this piece I have tried to portray the moment when a monk who belongs to religious sect is performing its rite of passage.
I imagined a ceremony, where at the top of a mountain above the clouds, the monk is somehow manifesting its
transcendent-self from within a 'sphere of oneness'. This ceremony is performed over many solar rotations, the being abstains from nutrients and must remain so still it almost starts to morph into the mountain rock over time.
This stoic journey is lonely, unguided and is only complete when the being finally merges with its own spiritual manifestation by entering the sphere.
I wanted to convey the 'patience and perseverance' required for this being to finally transcend beyond it's original form to a heightened spiritual state..
Spheres of Consciousness
(mixed media of free hand sketching, CAD and neural network - 2022)
resolution - 15,280 wide x 6064 high
(mixed media of free hand sketching, CAD and neural network - 2022)
resolution - 15,280 wide x 6064 high
personal notes from Arvus Attamessa
The Architect's Sphere
(mixed media of free hand sketching, CAD and neural network - 2022)
resolution - 14,292 wide x 7,560 high
(mixed media of free hand sketching, CAD and neural network - 2022)
resolution - 14,292 wide x 7,560 high
personal notes from Arvus Attamessa
In my late teens I studied art history and one of the artists that deeply inspired me was a member of the Barbizon Realists called Jean-Baptiste-Camille Corot.
Corot often painted ancient Roman viaducts amongst the picturesque landscapes of 19th century Italy and France. Though these paintings were beautiful it was often the small figures of people walking or sitting in them that often caught my attention. The idea of these farmers or peasants not fully understand the history of those ruined abandoned constructions was a concept that I gave much much thought to.
In this image I wanted to pay a small homage to Corot's style while also taking the above context to another level. What if the person is not just part of some ancient landscape but is actually the creator of new architecture!
So, in The Architect's Sphere this foreign-world-architect not only designs but also builds the buildings by using a "creation sphere". After a long night of hatching (the moon is reflected on the sphere), the building is almost completed at dawn while it's creator stands and observes the last phase prior to release.
In my late teens I studied art history and one of the artists that deeply inspired me was a member of the Barbizon Realists called Jean-Baptiste-Camille Corot.
Corot often painted ancient Roman viaducts amongst the picturesque landscapes of 19th century Italy and France. Though these paintings were beautiful it was often the small figures of people walking or sitting in them that often caught my attention. The idea of these farmers or peasants not fully understand the history of those ruined abandoned constructions was a concept that I gave much much thought to.
In this image I wanted to pay a small homage to Corot's style while also taking the above context to another level. What if the person is not just part of some ancient landscape but is actually the creator of new architecture!
So, in The Architect's Sphere this foreign-world-architect not only designs but also builds the buildings by using a "creation sphere". After a long night of hatching (the moon is reflected on the sphere), the building is almost completed at dawn while it's creator stands and observes the last phase prior to release.
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